Sunday
week 13
Thursday
week 12
He did not ever know his mother his father and grandmother raised him. He had the opportunity to go to Beagle Bay for schooling, but his father and grandmother did not wish him to go which he has regretted all his life. Jock has often commented “If I had spent more time in school than the stockcamp, I would be a lot better off”.
He and his wife have six boys and two girls and thirty-two grandchildren he says this with pride in his voice. He is a real family man and has been rewarded by his children who support their mother and father and form a tight-knit and caring family group.
His artworks are included in National Gallery of Australia and prominent private collections and Jock’s 2006 Solo Exhibition at Japingka Gallery was a sell out success.
Ochre has been the most important aspect of aboriginal painting throughout its long history. it is mined and is a hard but crumbly rock and gets its distinctive colour from iron oxide. The source material was traded extensively across Australia in the past, with some material traveling many hundreds or even thousands of kilometres from where it was mined to where it was used. It comes in a variety of colours from pale yellow to dark reddish-brown.
In the west Kimberley, the ancient gwion gwion images are painted in beautiful mulberry red on rock overhangs and caves. Gwion gwion is the name of a long-beaked bird which started as a spirit man - it pecks at the rock face to catch insects, and sometimes draws blood, leaving the images behind on the rock.
Paints are made by grinding the source rock to a powder and then mixing it with a fluid to bind it together. Traditionally this fluid could be saliva or blood, while in contemporary art an acrylic binder is more commonly used. The rich dark red in some of Jack Britten's paintings comes from the use of kangaroo blood mixed with ochre powder.
http://www.aboriginalartonline.com
I think the fact that some indigenous artists still work with ochre based pigments give their work an authenticity of colour that other artists that work with modern acrylic paints that have a far more diverse pallet when it comes to colour. The use of ochre gives the work a look and feel that people associate with indigenous art from there prior knowledge of the colours used.
Wednesday
Week 11
Butcher Cherel
- Region: The Kimberleys
- State: Western Australia
- Born: 1920c
- Died: 2009
- Art Centre: Mangkaja Arts Resource Agency
Subject & Themes
Afternoon rain, coolamon, warda, boab nuts, Paddock pocket, Dilly bag, bush plums, waterliliesDennis Nona
Subject & Themes
Melanesian influence. Denis's linocuts, etchings and sculptures derive from his wood-carving experiences on Badu Island. He is inspired by coastal life, family, traditional medicines and the myths and legends of the Torres Strait.Story: The sculpture depicts two species of Stingray, Guuwerr (the bronze stingray) and Tupmul (the aluminium stingray). While out fishing or diving the local people would see the stingrays leaping out of the water. This action of the stingray is an indicator of an imminent change in weather conditions. When observed during times of rough weather (Muturuka) it indicates a change to calm conditions. This would be a very important for a community that uses the water every day
The action of the stingrays represents a spiritual connection between these sea creatures and man. In the moment the stingrays are airborne and before the flop back to the surface of the water, islanders of a particular totem will instinctly utter the word, Gubaka. Traditionally, Gubaka was the preserve of the person of the Tupmul Augad (totem) who was one of several men representing other island totems who sat in the Kwod (the Western equivalent of a parliament). Tupmul is the artist's totem and is one of the main totems on his island of Badu. The two different metals used in the sculpture reflect the different colours of the two stingray species. Tupmul is pale white in colour while Guuwerr is a darkish brown. In creating the sculpture the artist has reflected on the synchronicity or affinity that exists between the sea creature and the man that possesses its totem.
Monday
week 10
Freddie Purla
was born in 1968 in Darwin. He is the son of artist Barbara Weir, and grandson of the late Minnie Pwerle, Freddie Purla began painting in 1989 at Alice Springs.
Purla regularly visited Utopia with his family as a very young child, often staying for long periods before travelling to Alice springs or Adelaide. One of his first vivid memories as a child was of the strange looking creature, the Scorpion.
The Scorpion Dreaming has been passed down to Freddie by his grandmother’s family. As it’s sting is often very painful, the scorpion is left undisturbed and respected at all times. It is rarely seen during the day and only the desert sands display the signs of the scorpion’s track.
Purla’s paintings represent the courtship dance between the male and female scorpion. Each scorpion interlock their pincers together while traveling back and forth in what can only be described as a dance. After several hours and as much as 24 hours, the tracks that are left behind create an artwork in itself on the ground. The tracks which are criss-crossed over and over again are rare to find in the desert. Freddie’s paintings powerfully represent the energy and vigour of the many movements made by the scorpions in their ritual desert dance.
week 9
Sunday
week 8
Alma
lives in Yuendumu and is part of the Warlpiri clan, her farther and mother were also artists and they founded the "Warlukurangu Artists" in the 80's. Almas work centers around the night sky seven sisters dreaming and milky way dreaming.
Abie paints finely detailed brush hen dreaming which is a story from her grandfather.
Saturday
week 7
“I use an acrylic paint that needs to be watered down so the dots are not too thick.”
Robs says that thanks to the porous nature of the foam, it’s no easy medium to paint on, but he reckons he’s figured out a technique that really works well.
Clients have included people from all walks of life - surfers, tourists and even one for the didgeridoo-rocking band Max Judo.
“As far as I know all of my boards are hanging on peoples walls at home or office, which really makes them a cool piece of art, but it would be cool to have one of the Aussie pros surfing on one on the world tour,” Rob says.